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Dakota Johnson
Sweet potatoes eating olés
she's a better-looking Monday
oh, tell me, if we ever met, the same
you, whose a ghost’s path’s sawed name
their only ole bent, still hidden carapace.
But, I think you love me
oven I'm in, a sweet berry
a spread-eagle breadstick
but you soon cut in, slicing
when you mean: I'm ready
so, it's a centre of memory
lent in this sense of beauty
I'm whetting that beginning
where I come undone in few
when you see my beaut pieces
to take them with you, running
as you ever do, my tumbleweed.
With that boy-critter gone
the walls took a front-mull
their colours hung blurred
white saw, loved its default
but black took of its blurts
so, it was sod a dog it shod
and this, she wore to his loss.
Oh spaces between whims repel
so staying put presents the best
as if the worst pretends to end
with nowhere now the sentence
doubts withhold their neglect
and those in dashes I visited
awake the story of her rent
for she paid what never left
and made the streets to beg
made no home, her doorsteps
with her help, my nights slept.
I'd like to thank my incredible team for my smooth apprenticeship, as one doesn't just become a writer from merely putting words together. My numerous dedicatees make the writing and reading so pleasure-filled. Thank you, Dakota Johnson, for showing me what affection feels like. I'll go on now into the world, having another story to tell if I ever need to break down what affection means to an asking little child.
Thank you for West to West Collection XII.